Marilyn Duckworth

ANZL Fellow

Photo credit: Robert Cross


Marion McLeod on Marilyn Duckworth:

Camping on the Faultline, she called her memoir, and it’s certainly true that Marilyn Duckworth’s life has held more than its fair share of uncertainty and upheaval. She was born in Otahuhu in 1935 but didn’t stay long.  Her father, Cyril  Adcock, was a man on the move.  He taught in Kuaotunu (in the Coromandel) and in Tokorangi (in the Manawatu). In the latter, young Marilyn and her family (mother Irene, older sister Fleur) were housed in the school shelter shed, with a canvas flap for front door.

Then, when Marilyn was three, there was a long sea voyage. War was declared as they sailed towards Suez.  In England they lived in Kent, the Midlands, Surrey, Sussex, Wiltshire. . . sometimes with parents, sometimes as evacuees. Marilyn and Fleur invented a Bronte-type imaginary world called Dreamland.

She was eleven when she finally returned to her mythical homeland. She found it strange and tropical. She had expected everybody to be like her – instead they were brash, fat, and had terrible accents. They thought her as odd as the English had.  She hated it all and had terrible nightmares.

Change was a constant in New Zealand, too.  When I interviewed Marilyn for the Listener nearly forty years after that wretched return, she was about to move into her twenty-fifth house with her fourth husband. Though Wellington has remained a constant. And family: she has four daughters and several grandchildren.

Against this changing background, the constancy of Marilyn’s writing is something to be marvelled at.  As a ten-year-old she turned out adventure novels with alliterative titles. (She’s always been good at titles.)  Each of those books was twenty thousand words long and had twenty chapters. That discipline has stayed with her through a long career, though chapter and word counts are now more flexible. Her bibliography includes fifteen novels, one short story collection, a book of poetry, the memoir, and anthology about sisters, and scripts for radio and television.

A Gap in the Spectrum, her first published novel, came out in 1959 when Marilyn was 23. It is the scary story of a young woman, Diana Clouston, who wakes up one day in a room in London, with no memory of who she is. Gradually she works out that she is a New Zealander who is to be married – to a man she can’t remember.

In her novels, Marilyn Duckworth has employed differing techniques and a wide variety of plots.  But that first novel contained the wellspring of her fiction. There and always, her prose is spare and sure-footed – clean, crisp, concise. Her dialogue is spot on – it’s no wonder the television world wanted her.  But there’s another layer:  her domestic realism has a way of transmuting into something shaky. Menace turns the pages.  Not the menace of a clichéd horror story but something more understated and therefore more frightening.

There is something wonderfully unchanging in Marilyn Duckworth, both in person and in her prose.  She has poise.  People tell her things.  And she has a good-humoured and compassionate understanding of the vagaries of the human condition.



Prime Minister’s Award for Literary Achievement in Fiction (2016)

President of Honour of the New Zealand Society of Authors (2011 / 2012)

Foxton Fellowship (2004)

Millay Arts Centre Residency (2001)

Ucross Foundation Residency (1997)

Auckland University Literary Fellowship (1996)

Commonwealth Writers’ Prize (shortlisted) (1996)

Sargeson Writing Fellowship (1995)

Hawthornden Writing Fellowship (1994)

Arts Council New Zealand Scholarship in Letters (1993)

Victoria University Writer’s Fellowship (1990)

Australia New Zealand Writers’ Exchange Fellowship (1989)

Fulbright Visiting Writer’s Fellowship (1987)

OBE for Services to Literature (1987)

Montana New Zealand Book Award for Fiction (1985)

Goodman Fielder Wattie Book of the Year Award (shortlisted) (1985)

Katherine Mansfield Fellowship (1980)

Literary Fund Scholarship in Letters (1961 & 1972)

New Zealand Literary Fund Award for Achievement (1963)



Read NZ Te Pou Muramura writer page

New Zealand Society of Authors writer page


Penguin Books NZ author page

Prime Minister’s Award for Literary Achievement announcement (Oct, 2016)

Writers’ College interview (2015)

Radio New Zealand broadcast of Marilyn’s Janet Frame lecture ‘Learning to Swivel: The Changing Face of New Zealand Literature’ (2012)

Quote Unquote interview by Elizabeth Knox (Dec, 2011)

Bibliography: Marilyn Duckworth



The Chiming Blue: New and Selected Poems (Victoria UP, 2017)

Other Lovers’ Children: Poems 1958-1974 (Pegasus Press, 1975)



Playing Friends (Vintage, 2007)

Swallowing Diamonds (Vintage, 2003)

Studmuffin (Vintage, 1997)

Leather Wings (Vintage, 1995)

Fooling (Hazard Press, 1994)

Seeing Red (Vintage, 1993)

Unlawful Entry (Vintage, 1992)

Explosions in the Sun (Short stories: Hodder & Stoughton, 1989)

A Message from Harpo (Hodder & Stoughton, 1989)

Pulling Faces (Hodder & Stoughton, 1987)

Rest for the Wicked (Hodder & Stoughton, 1986)

Married Alive (Hodder & Stoughton, 1985)

Disorderly Conduct (Hodder & Stoughton, 1984)

Over the Fence is Out (Hutchinson, 1969)

A Barbarous Tongue (Hutchinson, 1963)

The Matchbox House (Hutchinson, 1960)

Gap in the Spectrum (New Authors, 1959)


Creative Nonfiction

Camping on the Faultline: A Memoir (Random House, 2000)



Explosions on the Sun (Hodder & Stoughton, 1989)



Cherries on a Plate: New Zealand Writers Talk About their Sisters (Random House, 1996)

'There’s a kind of heaven that comes from hearing another writer interpret the mysteries of process' - Tracey Slaughter

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