
‘Across the Divide of Death’
Selina Tusitala Marsh farewells Caroline Sinavaiana-Gabbard.
Across te Moana-nui-a-Kiwa we mourn the death of Caroline Sinavaiana-Gabbard, the acclaimed and influential American Samoan scholar, poet, teacher and environmentalist.
Sinavaiana was born on Tutuila island and grew up in the American South. After she graduated from Sonoma State University she returned to Sāmoa to teach high school. ‘At twenty-three,’ she wrote in Alchemies of Distance (2002), ‘I began to learn about being Samoan.’ After thirty years she returned to the US, awarded an MA in folklore from the University of California Berkeley, and a PhD in American studies from the University of Hawaiʻi. She became a professor of creative writing and Pacific literature at the University of Hawaiʻi at Mānoa.

Sourced from thecoconet.com
.
Damon Salesa, Vice-chancellor of Auckland University of Technology and author of An Indigenous Ocean, says that ‘Caroline was a powerful and authentic voice, whose work as a scholar was both pathfinding and enabling, bringing literary criticism and indigenous Samoan criticism and culture into intersection.’
Selina Tusitala Marsh, the first Pacific Poet Laureate of New Zealand, was in Sydney when she received word of Sinavaiana’s death. She describes her as ‘a groundbreaking Samoan poet and activist who set the Pacific literary world ablaze with her powerful words and tireless pursuit of social justice. To me and countless other Pacific writers, she was our first literary Nafanua, a fierce warrior goddess wielding the pen to fight for Indigenous rights and to give voice to our people’s struggles.
‘Sinavaiana fearlessly confronted the painful legacies of colonialism and diaspora that have shaped our communities. Her poetry wove together deeply personal reflections with sharply political messages, inspiring us to find courage and resilience in the face of adversity. With every line, she affirmed the beauty, strength and mana of our Samoan heritage.
‘Though we mourn Sinavaiana’s passing as a profound loss, her spirit and impact live on through the many lives she touched. She reminded us that we all have a voice to stand up for our beliefs, speak truth to power, and work towards a more just, equitable future for Pacific peoples everywhere.
‘As I reflect on her legacy, I hear her rallying cry echoing through the generations – urging us to raise our pens and our voices to carry on her life’s work. May we honour Sinavaiana by celebrating our cultures and beliefs, asserting our rights, and lighting the way for others, as she so brightly lit the way for us.
Ia manuia lau malaga, Sinavaiana. Fa’afetai tele lava, thank you, for your inspiration, mentorship and enduring gift of language. Thank you for lighting the way.’
In Alchemies of Distance, Sinavaiana said that poetry ‘has taught me something about distance, about crossing the divide. One thing I’ve learned is that distance has implications, among them, loss and journey.’ She described the symbolic ‘Ua alu atu le afi – passing the fire’ ritual at Samoan gatherings: ‘We call out to each other and the other side answers. We pass the fire back and forth. If the ancestors are with us, this is how we pass it across the divide of death.’
Writing of the sudden death of a former student, Sinavaiana spoke of how during ‘her journey from the earthbound world I will cultivate my vā with her with a tangi, a poem of lament’.
The poem we publish here is a tangi written for Sinavaiana by Selina Tusitala Marsh.
Resurrection
for CSG
Running along the banks
of the eeling river
glistening under
Morten Bay Figs laden
with flying foxes
black with orange collars
hanging like fat furry mangoes,
where flocks of cockatoo
nest, squawking ivory eggs
high in the branches
of gum trees shedding leaves
and bark like curling skin.
Under the veil of soft morning
light in Parramatta park
I saw a crumpled pizza box
lying in the dewy grass.
The ripped cardboard box
spoiled the perfect view
and I tut tut tutted running past:
thoughtless picnickers
where were the cleaners?
It’s been three days already
I’d pick it up myself
but I’m running for time
training on my off day
and there were no bins in sight
how long would I have to carry
someone else’s blight
in an otherwise
serene landscape?
2Ks later I run past bins
surely no one would’ve expected me
to have carried someone else’s rubbish
that far?
Meantime
my beloved friend’s body
has been found
hammered, cut, and crumpled
in a locked bathroom
in Samoa
in the home of our mutual friend
whose unmedicated
Bipolarism must have pulled her
into its pit
and she couldn’t,
or wouldn’t,
get out of it
instead
she pulled those around her down
into hell
No one can believe
the Police report
a hammer and small knife
used to end the life
of my beautiful friend
who in Edinburgh
just months before
gave me the Buddha beads
from her wrist
to ease my troubles
she helped me think through
a friendship that had for too long been heavy
she did an I-ching reading
‘Sister, cut her free.’
When we spoke of our mutual friend
likewise she said
‘I’ll keep her at arm’s length to save my strength’
yet
months later I saw
she was helping run
creative writing workshops in Samoa
I wrote her “Be careful”
Meaning be careful with your energy, time and money
I never foresaw danger to her body
Headlines blast:
‘Playwright charged for gruesome murder’
our mutual friend’s photo
frontpage, centre
And we are filled with blue grief
And we are filled with black rage.
Insane fucking bitch. Crazy evil witch.
And yet
I ran by a crumpled pizza box
this morning
for the third day
in a row
waiting for resurrection.
.

Sinaviana reading at the foot of Mt Vaea in July 2023 with students from Vaivase Primary School and Vaiala Learning Centre; Selina Tusitala Marsh; and Michelle Keown and Shari Sabeti from the University of Edinburgh. They were in Sāmoa to work on the ‘Remediating Robert Louis Stevenson’ project’, Indigenous responses to some of his work set in the Pacific, and were scheduled to meet again in Hawai’i in early June to finalist the book manuscript. Both Sinavaiana and Selina wrote poetry sequences for the project. Photo credit: Theodora Loos.
'There’s a kind of heaven that comes from hearing another writer interpret the mysteries of process' - Tracey Slaughter